There are four broad categories of text you can write (exposition, narration, description, and dialogue,) and descriptions are what can give more problems to a fiction or genre writer. To sum up, description isn’t even a good kind of text. We tolerate it because it is required, but the least there is, the better, for reasons I hope will become clear in a moment.
Textual versions of visual phenomena are not good conveyors of information, at least not the kind of information most novice writers believe they should convey (raw visual data.)
Continue reading “The limits of description”