The Narrator is the medium through which storytelling occurs, and the writer is the man behind the curtain that pretends to be the former. The characters in a story should know as much about the two as an ant is required to understand thermodynamics to live and die.Continue reading “The Narrator and the Reader can know things none of the characters know.”
Latching a narrator onto a single POV has many unintended consequences, and these are unfortunately invisible until they explode in your face, so one can read (or write) texts that should be, in theory, bristling with excitement but, in reality, are dull and shallow. I mentioned a few ways I believe this happens in the linked post above, but one that I think deserves its own post is this: hardly anybody writes similes, analogies, or metaphors anymore, and these are one of the fundamental tools in any writer’s craft.
Following on yesterday’s post on POV and expanding on some comments I have read and made here and in other sites, I’d like to write a bit about first-person narrators. I used to dislike them, but this last year I have been reading a lot of books that are technically first-person narrations but most people wouldn’t consider them as such because they are not fiction: memoirs. I actually started reading them because I was quite bored with most fiction and quickly found that these people, many with no formal literally talent, were nonetheless able to explain quite awesome stories. Then it dawned on me that perhaps the reason I had disliked first-person narrators was, quite simply, that they had been misused, badly written, unnecessary.
I don’t feel like writing a story today so I’ll make a post on writing. This post will pull together different issues I have hinted or referenced in other posts, focusing on what I believe has become a serious problem in fiction literature, especially what is known as ‘genre writing’: the death of the narrator. I blame what is known as Deep Point of View, although perhaps a new term would be needed for what I will talk about, perhaps Character-Only Narrative, but Deep POV will have to do because nobody would know what I’m talking about if I start talking about CON.