Superheroes and dumbing-up culture

Recently I read this post, Marvel Movies: In a Class by Themselves by J.J. Adamson, and that forced me to gett off my lazy ass and write something I had meant to write for a long time.

Summing up, Adamson’s main points are that superhero movies cannot be considered proper art (I won’t get into that, though) and that there’s something inherently silly about the effort invested in making these movies, which he describes as fake. His example is Black Panther, which is, no matter how great the actors and director may be, still “fundamentally about a cool guy in a catsuit.

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Kultural Kontroversy Kommentators, you are still not political.

Of the many things I wrote in my book Dangerous Gaymers Gamers, one that readers (the half-dozen of you) usually point out as surprising is my claim that the Internet kerfuffles and “controversies” surrounding entertainment and, especially, the so-called political bent, bias, or content that has been injected in video games, games, movies, books… (i.e. nerd and popular culture) is not really political. In fact, I even said that political thinking and sociopolitical content has virtually disappeared from popular culture. And I was right, and I’m still right.

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The Guardian is really scraping the bottom of the barell here.

Among all the humiliating things one has to do to survive in the cutthroat and shameless world of Academia, being a criticaster of popular culture has to be the lowest point.  There are already a hundred theses on the unbearable sexism of Shakespeare or the colonialism of Kipling, so you’ll have to make do with a paper on the border-fascism of Plants vs. Zombies or the sexism of Super Mario. And forget about Elsevier or The Journal of Modern Literature, you’ll have to get published in The Guardian (and you’ll get paid according to how many people you trick into clicking the article):

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