The sneaky “there was” and writing filler & crutches

I was going over a piece I had written when I found this seemingly innocuous sentence: “He talked to them in his crude Japanese and told that there was a group of Chinese civilians, around twenty, that was coming in their direction.” I usually do two or three proofings of the stuff I write, and this is why the second one is so important, to catch stuff like that.

Now, the sentence may not be awful, but it made me cringe a bit because I felt I heard it scream something like “I have been written by an amateur! Come and take a look!” Without much effort, I rewrote it into this:

“He talked to them in his crude Japanese and told them a group of twenty Chinese civilians was coming their way.”

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Indie self-publishing experiments, or “I’d rather eat my own gallbladder.”

I ran a little experiment a few days ago, although you can consider other of my publishing attempts in the previous years a long experiment, and I’m a strong believer in the principle of publishing negative results, not just your successes.

I knew the results wouldn’t be great, and as I began reading up on the subject my gnawing feeling got worse, but really, never for I moment I thought it would be that bad.

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Free stuff and a new short story!

I have uploaded a new short story adventure novelette,Life of the Party [I took it down as explained in a future post], and to celebrate that Cirsova #9 is out, where you can read my short story The Orb of Xarkax, both The Butcher of Greystone, a gothic dark fantasy short story, and my non-fiction book Dangerous Gamers will be free from September 3 to September 7, Pacific Time, (well, the second book from 4 to 8, so you’ll have to wait at least another day.) As far as I know, this doesn’t work for those outside the USA, but for those living there, it should already be working, at least The Butcher.

Enjoy!

 

 

 

Book Analysis/review: “Law of the Wolves” and “Mortu and Kyrus in the White City.”

I mentioned in a previous post, and here they are, Schuyler Hernstrom’s latest two works, “The law of the Wolves,” a short story fable, and “Morty and Kyrus in the White City,” a sword & bikery novella with future installment already in-the-making, or at least planned out.

I’ll start with The Law of the Wolves, which is the shortest one, and one that won’t require me to sperg too much. Also, if you are a stingy asshat who can’t bother buying two books at 1$ each, I’d recommend this one first. Simpler, straightforward, shorter, and in a style underrepresented these days.

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Updating my journal: literary projects, Cirsova, and other people’s work.

I have realized that I have managed to accumulate a reasonable number of short stories/novelettes, some of them unsent to potential publishers or awards, others sent but rejected (although usually with an “almost a winner” note appended, so there’s that.) And I have also realized that since I follow a setting-less style of writing (or at least a setting that is hidden from the reader and unexplained) I can just string them together. And that’s probably what I will do.

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Psychology of reading and writing: recalling vs. recognizing.

In a previous post, I mentioned I believe the usual advice given to writers (or, rather, to people who want to write) may not be that good, if not downright useless. And if one wants to be controversial, you might as well start with a big bang:

Read a lot. Reading will make you a better writer,” or variations of the same. It seems logical, common-sensical. But if you think about it, it’s a bit like saying that if you want to be a good musician, you should listen to a lot of music, or look at many paintings if you want to be a painter. A kind of craftsmanship by osmosis.

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The Seven Quests/Motivations and why we can’t have nice things

Among all the lists that tell you exactly how many “types of story” exist, I like this one about the Seven Quests. No, I don’t mean the famous The Seven Basic Plots but this one in this more obscure, plain, and unsourced website: Love, Money, Power, Glory, Revenge, Survival, and Self. I don’t know the source behind it, and I don’t think it’s an exhaustive list —I can think of two other important motivations— but it’s useful, simple, and surprisingly powerful.

What I like about that list is that it actually focuses on human emotions and motivations, not abstract Jungian narratives like “Killing the Monster.” After all, what does that even mean? Killing it, sure,… but for what? Because you want to loot his treasure, revenge, or simple survival? It changes the story quite a lot whether the motivation of our hero is one or the other, and it also highlights the pitfalls of each motivation, its dark side if you will (Love -> Jealousy, Money -> Greed, Power/Glory -> Arrogance & Wrath, Revenge -> Obsession & Moral downfall, Survival ->? (this one is morally neutral as I will explain later.)

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