The three or four types of indie fantasy covers

Looking at the Amazon best sellers is always a good way to waste spend the time, and it proves that thing about everything having to change for everything to stay the same. If you blink even for a moment, books, authors, or even entire new genres that once seemed ready to become the new hot thing are suddenly gone, yet, at the same time, the new thing looks surprisingly similar to what they replaced.

You would be hard-pressed to find a more strightforward example of creative unoriginality and lack of imagination than today’s book covers, although the same could be said concerning their titles and perhaps even their themes and style of writing. But covers are easier to analyze—and funnier.

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Indie self-publishing experiments, or “I’d rather eat my own gallbladder.”

I ran a little experiment a few days ago, although you can consider other of my publishing attempts in the previous years a long experiment, and I’m a strong believer in the principle of publishing negative results, not just your successes.

I knew the results wouldn’t be great, and as I began reading up on the subject my gnawing feeling got worse, but really, never for I moment I thought it would be that bad.

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Bad Writing: Amazon bestsellers edition

The original goal of this post was to write a mini-essay on something that annoys me about contemporary writing. As far as I know, it has no name, and I struggled to find one, so I had to settle for something as cumbersome as “mid-action or mid-description beginnings.” Essentially, the story starts in media res, but not in the middle of the plot, but in the middle of a scene, with people (sometimes a lot of people) doing, sometimes exciting or action-related, stuff… for no reason we can discern. No goals, context, purpose, or meaning are given. It’s just a picture, like a movie scene (and in many cases, it shows the writer imagined it as such.)

The protagonist can be fighting another person (and we know nothing about them so we have no reason to care,) sweating profusely from some equally strenuous activity, engaging in a heavy dialogue with a character we know nothing about, or sometimes it’s a cliché-ridden description as the character prepares to do one of those things (the standard in fantasy until a few years ago was to describe, for some unfathomable reason, the sky – usually a sunset or dawn- and how that light reflected on the local vegetation.)

The opposite, of course, is to start like all stories have always been written, with a small, perhaps only a single sentence, explanation about the why, where, and when so we can contextualize what is happening and will happen.

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